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MODERN ART WORK ONLINESEEK YOU AFTER MODERN CONTEMPORARY ART?There is a huge difference between modern art that is contemporary, and capital M Modern art, a cultural phenomenon and a historical period. Click on the headin of this blurb and you will find modern contemporary art. MODERN ART MUSEUMAccordin to fen sui master, Mr. Tru, every museum of modern art, that he has "seen or heard tell of" has been a "nightmare buildin" a.k.a. a haven for ghosts and devils. Clairvoyants have said that much of the modern art, found in museums, of that ilk, resembles the spooks to be found in the lower astral plane. Alcoholics, who have recovered, from the condition of delirium tremens, have said the same thin. Experienced ex-occultist and freemason, Bill Schnoebelen, has said that masonic architects have it in mind, when they design buildins, to attract spooks and devils into the buildins, that they design. I would be interested to find out how many of the architects, who have designed each modern art museum, have been masons; or have been taught by masons. That would be truly revealin. |
MODERN ART WORK ONLINEModern arts are the arts from about the 1860s through about the 1970s, years of our Lo'ward. Modern art definitely began in 1855. It also definitely began in 1863, and again in 1784. From my research I have learned that modern art definitely began more than once. Also, modern art definitely is from 1900, year of our Lo'ward, to the present moment. Modern Art definitely is limited to only the art that begins with Impressionism in in the late 1800s until the beginnins of Post-Modernism in the mid-1970s. I think the cause of the disagreement is that some folks don't feel that the earlier beginnins did enough harm to qualify them as true modern art. In most academic publications, capitalized "Modern Art" refers to art from Impressionism to Postmodernism while lowercase "modern art" means contemporary art, until the demise of the children of the devil brins once again a plurality of the Teutons. Of course, with the passage of time, as the bloodlines of city folks and those of a wage-slave mentality increased, the harmfulness of the art increased proportionally, as the new bloodlines supplied the teachers, the artists, and the market for the new product. The more famous modern art is, the worse it is. The best modern art is goin to be the least known. As is the case in all subversive genres of creativity, good folks take hold of the genre and boil out the bad from it, leavin a kernel of principles within which they can create somethin genuinely beautiful. Authorities begin modern art after urbanization, and after industrialization. I recently saw a video book review, wherein the author claims that industrialization separated the worker from his product, as, for example in factories. You don't sign your name on a product that came from an assembly-line. There is definitely a genetic predisposition (inferred from the study of history) to favor or to disfavor cities and civilization. As the city-folks (called, by Black Elk, the "hang-around-the-fort" people, in his particular microcosm) interbred more and more with the Teutons (folks of the seas, woods, and farms), and amon themselves, the cities became more and more populated. The city folks generally have been slaves to the "Empire of the City", that is Rome and its satellites, which include inner London, and Washington, district of the false goddess "Columbia". Mystery Babylon, ever jealous of the children of God, has attacked our culture on every front, includin military, arts, education, religion, sorcery, and whatnot. Thus the promotion of modern art by freemasonic-owned businesses, schools, and media voices, has been wielded. Here are some of the guidelines they have used in their attack; some of these not destructive in themselves:
The "without-which-nothin", of Modern Art, that distinguishes it, from art before it, is the risin demand for expressionism in art, and the diminution of attention given, by teachers and scribblers, to photorealism. The shift began in Europe in the mid- 19th hundred years of our Lo'ward, when a decision was made, amon the black nobility, to shift, from direct patronage, to other forms of encouragement in art.
HERE IS A LIST OF SOME OF THE GENDERS OF MODERN ART19th Hundred Years Of Our Lord
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